Classic
Rock: did you have
any idea what would happen when you decided to work with Timbaland?
Cornell:
I wasn't concerned with the outcome of working with Timbaland as a producer,
becausew to me it's an exciting project. It's like a diversion in a
way, but it could lead to other things. I can imagine that there's certain
aspects of what I did on this album that, regardless of how I make my
next album, I will do those things again. It was such a different way
of recording and writing.
CR:
Including a new schedule when it comes to working hours? Didn't the
two of you start working around midnight?
Cornell:
Yeah, I used to work in the restaurant business, so I had to get up
early. Even as a songwriter my schdule would usually be: I wake up,
I drink a bunch of coffee and then I start working. And that's my best
time. Once it's night time, I usually don't write. This was different.
I would wake up at like 7pm. And get into the studio somewhere between
7pm and 9pm and start writing lyrics and then start singing. Then Timbland
would show up at 2am and then we would work on a new idea. The good
part of it was that there was no entourage - people wouldn't come in
and bother you at 4am, because everyone's asleep.
CR:
You have heavyweight boxing champ Witali Klitschko making a cameo appearance
in the first video (for Part Of Me). How did you get him involved?
Cornell:
He wanted to do it. Originally I think I was gonna perform at his next
fight, which fell through because the guy he was gonna fight got injured.
And then when we were making the video he flew in for an afternoon.
That was the first time I met him, and he was great. Just a super warm,
funny guy. And then on camera he was fantastic.
CR:
How will Scream work live? Surely it will sound completly different
when it's performed with a band.
Cornell:
There are some songs where I do it the same way I did on the album,
where just everything's right on beat. And then ther are some songs
where I have definitely loosened it up and allowed it to be more of
my live version of it. It's affected how I sing other songs live, believe
it or not. Because I started to understand that I've had problems with
some songs, and I didn't know what the problem was. I discovered that
on a lot of it, it was a rhythmic thing. There is an awkwardness that
I thought might have something to do with the melody, and it had more
to do with the phrasing. And it turns out that it's actually had a positive
effect on me doing old songs live.
CR:
How's it been going down?
Cornell:
Everybody responds great to it. Part of that is just because it adds
an energy and a texture to the live show that's otherwise not there
at all. I did eight shows playing just Scream from beginning to end.