Chris Cornell, whose second solo album, Carry
On, hits stores Tuesday, already has fronted two major rock bands; Seattle
grunge kingpins Soundgarden in the 1980s and '90s, and supergroup Audioslave
(which saw him playing with three ex-Rage Against The Machine members)
in the early part of this century.
Not to mention the one-off 1991 project Temple
Of The Dog, in which Cornell hooked up with members of what eventually
would become Pearl Jam.
Not bad for a guy who's only 42-years-old.
So, has the impossibly handsome Seattle native,
who now divides his time between Los Angeles and Paris with his second
wife, Vicky, and their two young children (15-month-old Christopher
and 2 1/2-year-old Toni), finally given up on the band thing?
"I don't know," said Cornell, while in Toronto
recently to promote Carry On (his lone Canadian show is set for July
20 at Massey Hall). "Ever since Temple Of The Dog, I've really been
hesitant to say that I would exclude the idea of collaborating with
a band or another person."
Still, Cornell doesn't regret leaving Audioslave,
which he quit earlier this year after three successful studio albums
because of "irresolvable personality conflicts as well as musical differences."
"I think, ultimately, that ended up being
the best thing for me," he said. "Once I got into making my record and
writing the songs, I really had to open up personally and re-invent
myself as a songwriter. And there are huge challenges in that and it's
really scary and that makes life really exciting.
"I'm someone that has struggled with alcohol
and substance abuse, probably you can say I have an addictive personality,
and if I'm not doing that, I have so much energy to focus on music.
And also, the aspects to (a solo career) that I find challenging or
frightening or dangerous, I'm kind of drawn to it. Like pushing those
buttons that scare me."
Carry On, which was recorded in L.A. with
producer Steve Lillywhite, includes two notable songs. First up is the
Casino Royale theme song, You Know My Name, which was left off the James
Bond movie soundtrack last year at the request of Cornell.
"I've always believed that the coupling of
movies and songs by bands or artists is not fair," said Cornell. "I
love doing music for films and I'm a huge fan of films, but I'm going
to put that song on my record, not yours, because it's my song. So yeah,
they knew from the outset."
Much more curious is a surprising, slowed-down
cover of Michael Jackson's Billy Jean.
"It came from a conversation I had with my
wife Vicky about the art of a cover song and really kind of a challenge
by her to prove my theory, which is it's the most unlikely couplings
that usually create the most moving cover songs," explained Cornell.
"And I just thought, 'Okay, who's the least-likely
person that would make the least sense?' I don't think Prince would
make the least sense. I could do Purple Rain pretty much like Purple
Rain and it would make sense.
"But Michael Jackson's like this weirdo pop
icon who really did dance track after dance track with what I always
felt to be positive but pretty obvious, non-veiled lyrics. How could
I really lend any emotional depth to that? So then I was challenged
to figure out what the song might be. It's really all just sort of an
exercise that ended up working for me."
Cornell, one of the greatest rock singers
out there, says he works very hard at his craft and genuinely enjoys
being on the road.
"When I've seen performers who have been around
for generations, the ones that really just kind of knock you over, not
in that young, visceral way, but in that way of being a virtuoso in
every way, I feel that happens through experience."
Cornell's own favourite singers include Paul
McCartney and John Lennon -- "I kind of always thought of those two
as my adopted parents, like a nice English gay couple that raised me,"
he says with a laugh -- and such soul-R&B greats as Al Green, Otis Redding,
Mavis Staples, The Chamber Brothers and Solomon Burke.
"The kind of singing where it's very emotional
and expressive and very raw. If you see the footage of Otis Redding,
he's very present and there's no trick to what he did. He was literally
just doing it. And there are layers to what the guy was doing. Not all
R&B or soul singers had that. There's a depth to what he was doing.
There is something going on in his head or his heart and you don't know
what it is, and it's deeper, not necessarily hidden, but interesting.
And it came out in his performing, sometimes aggressively. Even though
he wasn't doing a form of music that anyone would ever consider aggressive,
it could be."
ENJOYING LIVING
Cornell said he has been enjoying living
part-time in Paris, where he ended up after meeting Vicky. "(But) I
definitely miss Seattle," added Cornell, who also has another daughter,
Lillian Jean, from his first marriage to ex-Soundgarden manager Susan
Silver.
"But I don't regret leaving. I think it has
really helped me as a person get out of not just Seattle, but to be
more international has helped me get a view of my own country from the
outside, which is important."
Given this summer is turning out to be the
year of the reunion tour -- The Police, Genesis, Crowded House and Smashing
Pumpkins to name a few -- have promoters been throwing piles of money
at Chris Cornell to get his old Seattle band, Soundgarden, back together?
"No," said Cornell. "And I think there should
be a trust factor here. They need to throw piles of money at me, wait
a couple of years and then tell me what it was for, and then I'll make
my decision."
Cornell hasn't talked with any of his Soundgarden
bandmates in a long time, but added, "We're all friendly. We always
have been.
"No one has called me with any suggestion
that Soundgarden should get back together. We're a weird group of guys.
We always were. It's why we made the music we made. Ultimately, we really
mounted something that seemed impossible, we carried it through, made
some great records, and actually managed to disband while we were at
the pinnacle of our creative relationship and not abuse it and not leave,
like, turd droppings for fans to have to deal with in the future.
"So I look at it now, getting back together.
I just don't see the scenario where it made sense. Maybe like when we're
really, really old, if we got together and did some performance that
benefits somebody other than us. Instead of just saying, 'Wow, someone's
offered us an enormous cheque.' That just seems like it would go against
everything that the band was about from Day 1. So it'd have to be for
some reason that I can't think of right now."
Still, he applauds a group like The Police
hitting the road together for the first time in 23 years.
"I have a great attitude about The Police
getting back together," said Cornell. "There have been opportunities
where people are saying, 'There's a show coming up with The Police playing
a festival, would you like to be on it?' Hell, yeah! I'm a huge fan.
"But I think it's great that they're together,
and running around, playing Police songs. But I also feel like they
can. In other words, there's no reason why fans would be let down by
that.
"And, of course, it makes someone like me,
who's 42, feel great, 'cause I can be like, 'If they can do it, I can
do it!' "
Reprinted from the Edmonton Sun. Originally
available as an online feature here.